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Black Cultural Traffic: Crossroads in Global Performance and Popular Culture als Buch
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Black Cultural Traffic: Crossroads in Global Performance and Popular Culture

Sprache: Englisch.
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"A shrewdly designed, generously expansive, timely contribution to our understanding of how 'black' expression continues to define and defy the contours of global (post)modernity. The essays argue persuasively for a transnational ethos binding dispar … weiterlesen
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Black Cultural Traffic: Crossroads in Global Performance and Popular Culture als Buch

Produktdetails

Titel: Black Cultural Traffic: Crossroads in Global Performance and Popular Culture

ISBN: 0472098403
EAN: 9780472098408
Sprache: Englisch.
Herausgegeben von Harry Justin Elam, Kennell Jackson
UNIV OF MICHIGAN PR

Dezember 2005 - gebunden - 404 Seiten

Beschreibung

"A shrewdly designed, generously expansive, timely contribution to our understanding of how 'black' expression continues to define and defy the contours of global (post)modernity. The essays argue persuasively for a transnational ethos binding disparate African and diasporic enactments, and together provide a robust conversation about the nature, history, future, and even possibility of 'blackness' as a distinctive mode of cultural practice."
--Kimberly Benston, author of "Performing Blackness"
""Black Cultural Traffic "is nothing less than our generation's manifesto on black performance and popular culture. With a distinguished roster of contributors and topics ranging across academic disciplines and the arts (including commentary on film, music, literature, theater, television, and visual cultures), this volume is not only required reading for scholars serious about the various dimensions of black performance, it is also a timely and necessary teaching tool. It captures the excitement and intellectual innovation of a field that has come of age. Kudos!"
--Dwight A. McBride, author of "Why I Hate Abercrombie & Fitch"
"The explosion of interest in black popular culture studies in the past fifteen years has left a significant need for a reader that reflects this new scholarly energy. Black Cultural Traffic answers that need."
--Mark Anthony Neal, author of "Songs in the Key of Black Life"
"A revolutionary anthology that will be widely read and taught. It crisscrosses continents and cultures and examines confluences and influences of black popular culture -- music, dance, theatre, television, fashion and film. It also adds a new dimension to current discussionsof racial, ethnic, and national identity."
--Horace Porter, author of "The Making of a Black Scholar"

Portrait

Harry J. Elam, Jr. is Olive H. Palmer Professor in Humanities and Professor of Drama at Stanford University. He is author of The Past as Present in the Drama of August Wilson and Taking It to the Streets: The Social Protest Theater of Luis Valdez and Amiri Baraka. Kennell Jackson is Associate Professor of History at Stanford, and author of America Is Me.

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