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Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court als Buch
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Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court

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For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Ju… weiterlesen
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Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court als Buch

Produktdetails

Titel: Pierre de la Rue and Musical Life at the Habsburg-Burgundian Court
Autor/en: Honey Meconi

ISBN: 0198165544
EAN: 9780198165545
New.
Sprache: Englisch.
OXFORD UNIV PR

Mai 2003 - gebunden - 416 Seiten

Beschreibung

For twenty-four or more years composer Pierre de la Rue (d. 1518) provided music for one of the leading musical institutions of his day, the grande chapelle of the Habsburg-Burgundian court. Serving successive rulers Maximilian I, Philip the Fair, Juana of Castile, Marguerite of Austria, and the future Charles V, La Rue surpassed a dozen composer colleagues in his creation of polyphony to meet the needs of the court and its extravagant liturgy. This study, the first ever in English, traces La Rue's life and career, explores aspects of his compositional output, and recounts the reawakening of modern scholarship to his unique contributions.

Inhaltsverzeichnis

CONTENTS; LIST OF FIGURES; LIST OF TABLES; LIST OF MUSICAL EXAMPLES; LIST OF ABBREVIATIONS; A NOTE ON NAMES; A. WHO WAS PIERRE DE LA RUE?; B. Early Years; C. Peter van der Straten; D. The Habsburg-Burgundian Chapel under Maximilian, Philip, and Juana: 1492?-1508; E. The Chapel Under Marguerite and Charles: 1508-1516; F. Retirement: 1516-1518; A. STRUCTURE AND DUTIES OF THE CHAPEL; B. La Rue's Colleagues; C. Music Available at the Court; D. La Rue's Significance at Court; A. OBSERVATIONS ON THE STRUCTURE AND CHRONOLOGY OF LA RUE'S MASSES; B. Examples of Borrowing in La Rue's Sacred Music; C. Liturgical Functions of La Rue's Sacred Music; A. OVERVIEW; B. Two Examples; C. Problems of Authenticity; D. Observations; A. OCKEGHEM AND JOSQUIN; B. Dissemination of Music and the Josquin Generations; C. Literary and Theoretical Citations; D. Growth of a Reputation; E. Who is Pierre de la Rue?; APPENDIX A: CHRONOLOGY OF EVENTS; APPENDIX B: CHRONOLOGY OF SOURCES; APPENDIX C: LITERARY AND THEORETICAL CITATIONS; APPENDIX D: CATALOGUE OF WORKS; NB203; NB203; BIBLIOGRAPHY; INDEX OF MANUSCRIPTS AND PRINTED SOURCES; INDEX OF COMPOSITIONS BY OR ATTRIBUTED TO LA RUE; GENERAL INDEX

Portrait

Honey Meconi is Director of Medieval Studies at Rice University in Houston, Texas. She was an Andrew W. Mellon Postdoctoral Fellow of the University of Pennsylvania and Music Fellow of Villa I Tatti in Florence, Italy. Dr Meconi's shorter writings have been published widely including with the Journal of the Royal Musical Association, Journal of Musicology, Early Music, Journal of the American Musicological Society, and numerous others. She is currently editing Early Musical Borrowing for Garland in their series "Criticism and Analysis of Early Music".

Pressestimmen

Meconi has done the scholarly community a service by presenting so many of her findings on La Rue and his music together here. Early Music ... a rare feature of the book is that an endearing individuality does come through ... surprisingly readable. Early Music Review
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