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Music as Concept and Practice in the Late Middle Ages als Buch
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Music as Concept and Practice in the Late Middle Ages

Sprache: Englisch.
Buch (gebunden)
This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.
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Music as Concept and Practice in the Late Middle Ages als Buch
Produktdetails
Titel: Music as Concept and Practice in the Late Middle Ages

ISBN: 0198162057
EAN: 9780198162056
Sprache: Englisch.
Herausgegeben von Reinhard Strohm, Bonnie J. , Dr Blackburn
OXFORD UNIV PR

Dezember 2001 - gebunden - 536 Seiten

Beschreibung

This entirely new volume of NOHM takes account of developments in late-medieval music scholarship, along with significant changes in the performance practice of the late-medieval repertory, witnessed during the latter half of the 20th century.

Inhaltsverzeichnis

LIST OF ILLUSTRATIONS; LIST OF MUSICAL EXAMPLES; ABBREVIATIONS; INTRODUCTION; I. Muslim and Jewish Musical Traditions of the Middle Ages; Part I: Musical Cultures of Muslims in Spain; Part II: Jewish Musical Traditions in Spain, Provence and Southern; ITALY; II. Late Medieval Plainchant for the Divine Office; III. Instrumental Music, C.1300 - C.1520; Part I: Instrumentalists; Part II: Musical Sources and Performance; Part III: Instruments: Their Groupings and their Repertories; IV. Dances and Dance Music, C.1300 - C.1530; V. Polyphonic Music in Central Europe, C.1300 - C.1520; VI. Music Theory of the Fourteenth and Early Fifteenth Centuries; VII. Music Theory and Musical Thinking after 1450; VIII. Music, Humanism, and the Idea of a 'Rebirth' of the Arts; BIBLIOGRAPHY; INDEX

Portrait

Reinhard Strohm, D.Phil., TU Berlin 1971, co-editor, Richard-Wagner Gesamtausgabe, 1970-1982; Lecturer in Music, King's College, University of London, 1975-1983; Professor of Music History, Yale University, 1983-1990; Reader, then Professor of Historical Musicology, King's College London, 1990-1996; Heather Professor of Music, Oxford University, 1996- Bonnie Jean Blackburn, D.Phil, University of Chicago; American musicologist who has studied with Edward Lowinsky and Howard Mayer Brown; Lecturer at the School of Music, Northwestern University; Visiting faculty member at both the University of Chicago, 1986, and SUNY, Buffalo, 1989-90; moved to Oxford in 1991and became a freelance editor; general editor of the series Monuments of Renaissance Music.

Pressestimmen

... this challenging, informative, stimulating, and strangely satisfying volume. Music and Letters Students on interdisciplinary MA courses in medieval studies will certainly make use of it and I will be using it as a 'teacher book'. Music and Letters Hughes chapter [on chant] is gap-filling and revisionist compared with the normal treatment of chant by musicological textbooks, and it certainly gives a strong impression of the excitement of new work-in-progress. Music and Letters ... the chapter by Howard Mayer Brown and Keith Polk on instrumental music ... is a fine survey of a tricky topic. Early Music Review ... groundbreaking chapter by Andrew Hughes on chant composition. BBC Music Magazine

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