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Bad Blood

A Walk Along the Irish Border. , . Sprache: Englisch.
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In the summer after the Anglo-Irish Agreement, when tension was high in Northern Ireland, Colm Tóibín walked along the border from Derry to Newry. Bad Blood is a stark and evocative account of this journey through fear and hatred, and a report on ord … weiterlesen
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Produktdetails

Titel: Bad Blood
Autor/en: Colm Toibin

ISBN: 0330373587
EAN: 9780330373586
A Walk Along the Irish Border.
, .
Sprache: Englisch.
Pan Macmillan

1. August 2001 - kartoniert - 208 Seiten

Beschreibung

In the summer after the Anglo-Irish Agreement, when tension was high in Northern Ireland, Colm Tóibín walked along the border from Derry to Newry. Bad Blood is a stark and evocative account of this journey through fear and hatred, and a report on ordinary life and the legacy of history in a bleak and desolate landscape.
Tóibín describes the rituals - the marches, the funerals, the demonstrations - observed by both communities along the border, and listens to the stories which haunt both sides. With sympathy and insight Bad Blood captures the intimacy of life along one of the most contested strips of land in Western Europe.

Portrait

Colm Tóibín was born in Ireland in 1955. He is the author of several novels, including Brooklyn, the 2009 Costa Novel of the Year, The Master, which was shortlisted for the 2004 Man Booker Prize and winner of the LA Times Book Prize and the IMPAC Book Award, and The Blackwater Lightship, which was shortlisted for the 1999 Booker Prize and the 2001 IMPAC Award. His non-fiction includes Bad Blood, Homage to Barcelona, The Sign of the Cross and Love in a Dark Time. He is also the author of two short-story collections, Mothers and Sons, which was awarded the inaugural Edge Hill Prize, and The Empty Family, which was shortlisted for the 2011 Frank O'Connor International Short Story Award. His work has been translated into seventeen languages. He lives in Dublin.

Pressestimmen

"'Toibin has the narrative poise of Brian Moore and the patient eye for domestic detail of John McGahern, but he is very much his own man.' Kate Kellaway, Observer"
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