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Companion to Shakespeare s Work

von Dutton, Howard
66:B&W 7 x 10 in or 254 x 178 mm Perfect Bound on White w/Gloss Lam. Sprache: Englisch.
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This companion to Shakespeare's tragedies contains original essays on every tragedy from "Titus Andronicus "to "Coriolanus" as well as thirteen additional essays on such topics as Shakespeare's Roman tragedies, Shakespeare's tragedies on film, Shakes … weiterlesen
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Companion to Shakespeare s Work als Taschenbuch

Produktdetails

Titel: Companion to Shakespeare s Work
Autor/en: Dutton, Howard

ISBN: 1405136057
EAN: 9781405136051
66:B&W 7 x 10 in or 254 x 178 mm Perfect Bound on White w/Gloss Lam.
Sprache: Englisch.
John Wiley & Sons

14. November 2005 - kartoniert - 504 Seiten

Beschreibung

This companion to Shakespeare's tragedies contains original essays on every tragedy from "Titus Andronicus "to "Coriolanus" as well as thirteen additional essays on such topics as Shakespeare's Roman tragedies, Shakespeare's tragedies on film, Shakespeare's tragedies of love, "Hamlet" in performance, and tragic emotion in Shakespeare.

Inhaltsverzeichnis

Notes on Contributors. Introduction.
1. "A rarity most beloved": Shakespeare and the Idea of Tragedy: David Scott Kastan (Columbia University).
2. The Tragedies Of Shakespeare's Contemporaries: Martin Coyle (Cardiff University).
3. Minds in Company: Shakespearean Tragic Emotions: Kathryn Rowe (Bryn Mawr).
4. The Divided Tragic Hero: Catherine Belsey (Cardiff University).
5. Disjointed Times and Half-Remembered Truths In Shakespearean Tragedy: Philippa Berry (University of Cambridge).
6. Reading Shakespeare's Tragedies of Love: Romeo and Juliet, Othello, and Antony and Cleopatra in Early Modern England: Sasha Roberts (University of Kent).
7.Hamlet Productions Starring Beale, Hawke, and Darling From the Perspectives of Performance History: Bernice W. Kliman (Nassau Community College).
8. Text and Tragedy: Graham Holderness (University of Hertfordshire).
9. Shakespearean Tragedy And Religious Identity: Richard C. McCoy (City University of New York).
10. Shakespeare's Roman Tragedies: Gordon Braden (University of Virginia).
11. Tragedy and Geography: Jerry Brotton (University of London).
12. Classic Film Versions of Shakespeare's Tragedies: A Mirror for the Times: Kenneth S. Rothwell (University of Vermont).
13. Contemporary Film Versions of the Tragedies: Mark Thornton Burnett (Queen's University of Belfast).
14. Titus Andronicus: A Time for Race and Revenge: Ian Smith (Lafayette College).
15. "There is no world without Verona walls": The City in Romeo and Juliet: Naomi Conn Liebler (Montclair State University).
16. "He that thou knowest thine": Friendship and Service in Hamlet: Michael Neill (University of Auckland).
17. Julius Caesar: Rebecca W. Bushnell (University of Pennsylvania).
18. Othello and the Problem of Blackness: Kim F. Hall (Fordham University).
19. King Lear: Kiernan Ryan (University of London).
20. Macbeth, the Present, and the Past: Kate McLuskie (University of Southampton).
21. The Politics of Empathy in Antony and Cleopatra: Jyotsna G. Singh (Michigan State University).
22. Timon of Athens: The Dialectic of Usury, Nihilism, and Art: Hugh Grady (Arcadia University, Pennsylvania).
23. Coriolanus and the Politics of Theatrical Pleasure: Cynthia Marshall (Rhodes College, Memphis). Index

Portrait

Jean E. Howard is William E. Ransford Professor of English at Columbia University and a past president of the Shakespeare Association of America. She is an editor of The Norton Shakespeare, and author of, among other works The Stage and Social Struggle in Early Modern England (1994) and, with Phyllis Rackin, of Engendering a Nation: A Feminist Account of Shakespeare's English Histories (1997). Richard Dutton is currently Professor of English at Ohio State University. He is author of Mastering the Revels: the Regulation and Censorship of Renaissance Drama(1991) and Licensing, Censorship and Authorship in Early Modern England:Buggeswords(2000), and editor of the Palgrave Literary Lives series.

Pressestimmen

"Whether for the student wishing for an overview of critical approaches or anxious to fill in the gaps in his Shakespearean culture, for those wishing to catch up on the diversity of literary theories, or for the inquisitive browser, this set of volumes assuredly charts the map of current criticism." Cahiers Elisabethains "Those who are intimidated by the publishers' grandiose claim that the set would constitute 'a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century' will breathe a sigh of relief to discover that the essays are not only readable, they are informative and stimulating. Essential." Choice
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