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Exhibition, the Film Reader

New. Sprache: Englisch.
Taschenbuch
From the kinetoscope to the Movie Palaces of Hollywood's golden age, to today's multiplexes, the experience of watching films has varied enormously across film history. "Exhibition, The Film Reader" traces the emergence of a culture of movie going, e … weiterlesen
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Exhibition, the Film Reader als Taschenbuch

Produktdetails

Titel: Exhibition, the Film Reader

ISBN: 0415235189
EAN: 9780415235181
New.
Sprache: Englisch.
Herausgegeben von Ina Rae Hark
ROUTLEDGE CHAPMAN HALL

Dezember 2001 - kartoniert - 208 Seiten

Beschreibung

From the kinetoscope to the Movie Palaces of Hollywood's golden age, to today's multiplexes, the experience of watching films has varied enormously across film history. "Exhibition, The Film Reader" traces the emergence of a culture of movie going, exploring the range of venues in which films have been shown, and following the fluctuating fortunes of film and its continuing struggle to win audiences. Contributors explore the meanings conveyed to spectators through different exhibition sites and practices, raises key questions of distribution, access and consumption, and examines the shifting ethnic, gender and economic make-up of audiences.

Inhaltsverzeichnis

Part I - Where the movies were: the nickelodeon theatre 1905-1914 - building an audience for the movies, Russell Merritt; another audience - black movie-going from 1907-1916, Gregory Waller; nickelodeon nomenclature - the urban picture palaces, Kathryn Helgesen Fuller; the movie palace and the theatrical sources of its architectural style, Charlotte Herzog; discourses on art house in the 1950s, Barbara Wilinsky; the K-Mart audience at the mall movies, William Paul. Part 2 - The business of exhibition: the rise of national theatre chains - Balaban and Katz postscript, Douglas Gregory; the relationship between motion picture distribution and exhibition - an analysis of the effects of anti-blind bidding legislation, Suzanne I. Schiller; where the drive-in fits into the movie industry, Anthony Downs; the evolution of the motion picture theatre business in the 1980s, Thomas Guback. Part 3 - The meanings of the exhibition site, Thomas Guback; an acre of seats in a garden of dreams - the stage moves to the screen, Ben M. Hall; the "theatre man" and "the girl in the box office", Ina Rae Hark; the multiplex - the modern American motion picture theatre as message, Gary Edgerton, film and society - public rituals and private space, Dudley Andrew; spectatorial bibliography, Anne Friedberg.

Portrait

Ina Rae Hark is Professor of English and Associate Dean of the College of Liberal Arts at the University of South Carolina. She is co-editor with Steven Cohan of The Road Movie Book (Routledge 1997) and Screening the Male (Routldge 1993).

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