This 1929 collage novel by the avant-garde artist presents engravings from Victorian-era books and magazines, accompanied by enigmatic captions, that transport readers into the odd dream world of Surrealism.
A key figure in the Dadaist and Surrealist art movements, German-born Max Ernst (1891-1976) became an American citizen in 1948 and a French citizen in 1958. Painter, sculptor, graphic artist, and poet, Ernst employed the fragmented logic of collage in this volume and in his landmark collage book,
Une semaine de bonté , also published by Dover.
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