Titel: The Cinema of Federico Fellini
Autor/en: Peter Bondanella
149:B&W 6. 14 x 9. 21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on Creme w/Gloss Lam.
Princeton University Press
5. Mai 1992 - kartoniert - 392 Seiten
This major artistic biography of Federico Fellini shows how his exuberant imagination has been shaped by popular culture, literature, and his encounter with the ideas of C. G. Jung, especially Jungian dream interpretation. Covering Fellini's entire career, the book links his mature accomplishments to his first employment as a cartoonist, gagman, and sketch-artist during the Fascist era and his development as a leading neo-realist scriptwriter. Peter Bondanella thoroughly explores key Fellinian themes to reveal the director's growth not only as an artistic master of the visual image but also as an astute interpreter of culture and politics. Throughout the book Bondanella draws on a new archive of several dozen manuscripts, obtained from Fellini and his scriptwriters. These previously unexamined documents allow a comprehensive treatment of Fellini's important part in the rise of Italian neorealism and the even more decisive role that he played in the evolution of Italian cinema beyond neorealism in the 1950s. By probing Fellini's recurring themes, Bondanella reinterprets the visual qualities of the director's body of work--and also discloses in the films a critical and intellectual vitality often hidden by Fellini's reputation as a storyteller and entertainer. After two chapters on Fellini's precinematic career, the book covers all the films to date in analytical chapters arranged by topic: Fellini and his growth beyond his neorealist apprenticeship, dreams and metacinema, literature and cinema, Fellini and politics, Fellini and the image of women, and La voce della luna and the cinema of poetry.
<TR>List of Illustrations<TR>Foreword<TR>Preface<TR>Acknowledgments<TR>Ch. 1Origins: Journalism and the Comic Strips3<TR>Ch. 2Neorealist Apprenticeship: Fellini as Scriptwriter30<TR>Ch. 3Beyond Neorealism: Character and Narrative Form in Early Fellini from Luci Del Varieta to La Dolce Vita68<TR>Ch. 4Dreams and Metacinema: Le Tentazioni Del Dottor Antonio, 8 1/2, Block-Notes Di Un Regista, I Clowns, Roma, E La Nave Va, Ginger E Fred, and Intervista150<TR>Ch. 5Literature and Cinema: Toby Dammit and Fellini Satyricon227<TR>Appendixes to Chapter Five253<TR>Ch. 6Fellini and Politics: Amarcord and Prova d'Orchestra262<TR>Ch. 7"The Great Fabricator and Dissolver of Clouds": Sexuality and the Image of Women in Giulietta Degli Spiriti, Casanova, and La Citta Delle Donne292<TR>Ch. 8La voce della luna and the Cinema of Poetry327<TR>A Fellini Filmography335<TR>Selected Bibliography345<TR>Index361
Peter Bondanella, an esteemed scholar of Italian film, has committed an act of daring. It's the best kind of daring - unselfconscious and authentic. . . Courageous in ideational independence, he is equally steadfast in his enterprise - to understand and explicate and important artist's process. He does this to an impressive degree, not with clinical smugness but with relish and respect. His book is a loving and helpful tribute.