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Zeami's Style: The Noh Plays of Zeami Motokiyo als Taschenbuch
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Zeami's Style: The Noh Plays of Zeami Motokiyo

Revised. Sprache: Englisch.
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"An important contribution to study of the noh theater, and those interested in the noh or seriously working that stretch of the scholarly street are sure to find it required reading."--Journal of Asian Studies "Superior. . . . The book offers severa … weiterlesen
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Zeami's Style: The Noh Plays of Zeami Motokiyo als Taschenbuch

Produktdetails

Titel: Zeami's Style: The Noh Plays of Zeami Motokiyo
Autor/en: Thomas Blenman Hare

ISBN: 0804726779
EAN: 9780804726771
Revised.
Sprache: Englisch.
STANFORD UNIV PR

August 1996 - kartoniert - 336 Seiten

Beschreibung

"An important contribution to study of the noh theater, and those interested in the noh or seriously working that stretch of the scholarly street are sure to find it required reading."--Journal of Asian Studies "Superior. . . . The book offers several things heretofore unavailable in English: as detailed a biography as the scant documentation allows, an analysis of the changes in Zeami's theories over the course of his long life, and excellent analyses and translations of several plays."--Journal of Japanese Studies

Inhaltsverzeichnis

Introduction; 1. A documentary biography; 2. Zeami the playwright; 3. Rotai: the aged mode; 4. Nyotai: the woman's mode; 5. Guntai: the martial mode; Concludsion; Appendixes; A. Zeami's technical terminology; B. The fourth dan of 'Toru'; Notes; Glossary; Annotated bibliography; Index.

Portrait

This is the first full-length study of Zeami Motokiyo (1363-1443), generally recognized as the greatest playwright of Japan's classical Noh theater. The book begins with a biography based on the known documents relating to Zeami's life. It then examines the documentary evidence for authorship and explains the various technical aspects of noh. Subsequent chapters explore the role of the old man in noh (particularly in the play "Takasago"), as well as Zeami's plays about women and warriors, with primary attention to "Izutsu" and "Tadanori." The book concludes with a general discussion of Zeami's style and the relationship between his dramatic theory and his plays.

Pressestimmen

'Superior ... The book offers several things heretofore unavailable in English: as detailed a biography as the scant documentation allows, an analysis of the changes in Zeami's theories over the course of his long life, and excellent analyses and translations of several plays ... Zeami's Style is thoughtfully conceived, carefully constructed, and written with a clarity and ease that make text and translation alike a pleasure to re ad.' Journal of Japanese Studies
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