The idea that the inspired poet stands apart from the marketplace is considered central to British Romanticism. However, Romantic authors were deeply concerned with how their occupation might be considered a kind of labour comparable to that of the traditional professions. In the process of defining their work as authors, Wordsworth, Southey and Coleridge – the 'Lake school' – aligned themselves with emerging constructions of the 'professional gentleman' that challenged the vocational practices of late eighteenth-century British culture. They modelled their idea of authorship on the learned professions of medicine, church, and law, which allowed them to imagine a productive relationship to the marketplace and to adopt the ways eighteenth-century poets had related their poetry to other kinds of intellectual work. Brian Goldberg explores the ideas of professional risk, evaluation and competition that the writers developed as a response to a variety of eighteenth-century depictions of the literary career.
Inhaltsverzeichnis
Acknowledgements; Introduction: professionalism and the Lake School of Poetry; Part 1. Romanticism, Risk, and Professionalism: 1. Cursing Doctor Young, and after; Part II. Genealogies of the Romantic Wanderer: 2. Merit and reward in 1729; 3. James Beattie and The Minstrel; Part III. Romantic Itinerants: 4. Authority and the itinerant cleric; 5. William Cowper and the itinerant Lake poet; Part IV. The Lake School, Professionalism, and the Public: 6. Robert Southey and the claims of literature; 7. 'Ministry more palpable': Wordsworth's Romantic professionalism; Notes; Bibliography; Index.