Unparalleled Poetry disentangles biblical poetry from parallelism and meter and provides an account of the free-rhythm versification system of biblical poetry. This cognitive approach is oriented toward how poetic structure can be heard and perceived, and it illuminates both the structures of biblical poetry and the artistry of potential effects.
Inhaltsverzeichnis
Preface
Acknowledgements
Introduction by Margaret H. Freeman
Abbreviations and Symbols
PART I: INTRODUCTORY MATTERS
Chapter 1: Unparalleling Biblical Poetry
Chapter 2: A Preliminary Description of Biblical Verse
Chapter 3: The Nature of the Biblical Hebrew Poetic Line
PART II: GESTALT PRINCIPLES: EMERGENCE OF BIBLICAL POETIC STRUCTURE
Chapter 4: Perceptual Organization and the Law of Simplicity, Proximity and Similarity
Chapter 5: Symmetry, Balance and Imbalance
Chapter 6: Good Continuation, Closure, Requiredness, and Principled Lineations
PART III: REMAINING ISSUES
Chapter 7: Integration and Unintegrated Lines, Rhythm in Lamentations, and Line Length Constraints
Emmylou J. Grosser, PhD, is a Research Fellow for the Department of Hebrew, University of the Free State, Bloemfontein. Her research interests include the language and literature of the Hebrew Bible and interdisciplinary approaches to biblical poetry.
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