Examines Liszt's piano arrangements of music originally created for other instruments, especially the symphony orchestra and the Hungarian Gypsy band.
Inhaltsverzeichnis
Introduction
Approaching the Reproductive Arts
"Partitions de Piano"
Between "Text" and "Event": Liszt's Guillaume Tell Overture
Translating the Orchestra: Liszt's Two-Piano Arrangements of His Symphonic Poems
Interpretive Fidelity to Gypsy Creativity: Representations of Hungarian-Gypsy Cimbalom Playing
Conclusions: Recurring Techniques and Aesthetics
Appendix: Liszt's Preface to his Piano Arrangements of Beethoven's Fifth and Sixth Symphonies in the Breitkopf & Härtel's edition, 1840
Bibliography
