Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period.
Inhaltsverzeichnis
"One Little Room, An Everywhere": Staging Silence in London's Blackfriars and Shakespeare's Henry VIII - Deneen M. Senasi
"What they are yet I know not": Speech, Silence, and Meaning in King Lear - John N. Wall
Shakespearean Epiphany - Robert Lanier Reid
Between the "triple pillar" and "mutual pair": Love, Friendship, and Social Networks in Antony and Cleopatra - Jonathan Shelley
"Beauty Changed to Ugly Whoredom": Analyzing the Mermaid Figure in The Changeling - Kendell Spillman
Imagining the Other in a Cuzco Defense of the Eucharist - Lisandra Estevez
A Critique of Poor Reading: Antissia's Madness in The Countess of Montgomery's Urania - Rachel M. De Smith Roberts
"Thou thyself likewise art lyttle made": Spenser, Catullus, and the Aesthetics of "smale poemes" - Melissa J. Rack
The ordo salutis: Sacred Circularities in John Donne's "Good Friday 1613. Riding Westward" - Nathan Dixon
"Broken-Backed" Texts: Meritocracy and Misogyny in Ben Jonson's The Forrest - Don E. Wayne
