This book centers on the literary activities emerging out of the north Indian publishing house Ganga Pustak Mala and its house periodical Sudha, a literary, social, political and illustrated monthly in the first half of the twentieth century. Building on the defining work of G rd Genette on paratexts as well as on scholarship on text-image relationships, this book charts the emergence and commercialization as well as nationalization of Hindi literaryproduction in the city of Lucknow.
Inhaltsverzeichnis
- List of Illustrations, Figures and Maps
Acknowledgements
Note on Orthography and Translation
Introduction: Gender, Genre, and Visuality: New Approaches to the Study of Periodicals
Chapter One: The Hindi Literary Sphere (1920s1940s): A Micro-Perspective from Lucknow
Chapter Two: Marketing Sudha (1927-1941): Objectives, Scopes, and Appeal
Chapter Three: 'Canon' Formation (Part I): Literature for Middle-Class Readers
Chapter Four: 'Canon' Formation (Part II): Sudha's Repository of Knowledge
Conclusion: Literary Visions and Gendered Visuality in the Hindi Public Sphere
Bibliography
Index
About the Author