Suk-Young Kim is Professor of Critical Studies and the Director of the Center for Performance Studies at the University of California, Los Angeles. She is also the author of the award-winning book DMZ Crossing: Performing Emotional Citizenship Along the Korean Border (2014). Her research and commentary have been featured on CNN and NPR.
Inhaltsverzeichnis
Introduction
1. Historicizing K-pop
2. K-pop from Live Television to Social Media
3. Simulating Liveness in K-pop Music Videos
4. Hologram Stars Greet Live Audiences
5. Live K-pop Concerts and Their Digital Doubles
Conclusion
