Under Fire

This critical study offers a port of entry into Vollmann s fiction. The Rifles deconstructs the historical novel, and the venture of the 19th-century English explorer John Franklin, revisiting the Gothic genre. This analysis uses close-reading, ecocriticism, and comparative literature to examine a major novel of the post-postmodern canon.

This study of a novel by William T. Vollmann offers a port of entry into his fiction. Like other titles from his planned «Seven Dreams» collection, The Rifles deconstructs the historical novel. Following in the steps of the nineteenth-century English explorer John Franklin, the contemporary American character Subzero risks his life in the Arctic, looking for a way to transcend the history of colonization and his personal limitations. He ventures out on the permafrost of his memory, both private and collective, haunted by history as he revisits the Gothic genre. Deploying the poetry of an anachronistic errand into the white wilderness of snow and ice, in the wake of Herman Melville's Captain Ahab and Edgar Allan Poe's Arthur Gordon Pym, the narrator plays with avatars of the author as an explorer, a historian, a cartographer and a sketch-artist to encounter otherness, whether Inuit women or men, or fellow travelers who exchange with the authorial figure in his search for meaning. This critical analysis uses close-reading, ecocriticism, cultural studies and comparative literature to examine an innovative novel of the post-postmodern canon, by one of the finest contemporary American authors.

Françoise Palleau-Papin: Introduction Catherine Lanone: From Franklin' s Narrative to Vollmann' s EcoGothic Metafiction Vincent Bucher: Putting Historical Enquiry to the Test Françoise Palleau-Papin: Composition as Infinity Sophie Chapuis: Narrative Voices Madeleine Laurencin: Female Characters: Between Role and Representation Christine Jorre-Johnston: Generic Hybridity Françoise Palleau-Papin: Postface.