Amateur Musicians in the Nineteenth Century

List of Illustrations
List of Tables
Introduction

Part I - Markets: Arrangement, Repertoire, and the Amateur Musical Economy
1. Haydn Appropriated: Two Manuscript Songs in Amateur Collections 1790-1805
Gillian Dooley (Flinders University Library, Australia)
2. Evocations of Scotland in the Accompanied Sonatas of Pleyel and Kozeluh
Allan Badley (University of Auckland, New Zealand)
3. "Un caractère tout à fait classique": Parisian Practices of Arrangement and the Domestic Debt to the Past
Mark Everist (University of Southampton, UK)
4. "Germanizing" the Plot? Arrangements of "Foreign" Opera in Early Nineteenth-Century Vienna
Sam Girling (University of Auckland, New Zealand)
5. The Romantic Recorder: An Exploration of Performance Practice for Csakan Repertoire
Imogen Morris (University of Auckland, Australia)

Part II - Practices: Pedagogy, Performance, and Amateur Agency
6. "Those Who Can, Teach": Promoting Amateurs in Nineteenth-Century Piano Pedagogy
Andrew Ward (Independent Scholar, UK)
7. Johann Baptist Wa?hal's Legacy as Keyboard Pedagogue
Halvor K. Hosar (Norwegian Institute for Cultural Heritage Research, Norway)
8. "An Impress of the Abiding Truth": The Problem with Classifying Amateurs, Professionals, and Artists in Kate Chopin's The Awakening (1899)
Erin Atchison (Independent Scholar, New Zealand)
9. The Harp Virtuoso Marie Mösner (1838-84): Professional Performer, Non-Professional Composer?
Anja Bunzel (Czech Academy of Arts and Sciences, Czechia)

Part III - Identities: Community, Gender, and Cultural Belonging
10. "A Small Radiating Centre": New Zealand Amateur Pianists Entertain
Kirstine Moffat (University of Waikato, New Zealand)
11. A Lady Always Looks Graceful with a Violin: The Auckland Young Ladies' Orchestra 1888-99
Elizabeth Nichol (Independent Scholar, New Zealand)
12. "Half German and Half Colonial": Building Community in Wellington's Liedertafeln ca. 1900
Samantha Owens (Independent Scholar, New Zealand)

List of Contributors
Index