The African dancer requires complete technical mastery and must respect the precise rules handed down by the society of the Masques de Sagesse. Alphonse Tirou is from the Ouenon people of the Ivory Coast. His major study is the first written record of this oral tradition and it explains the movements, codes and meanings of the traditional African dance. It is extremely valuable reading for all those studying or interested in Africa, as dance is such an essential part of this continent's cultural heritage.A former student of the National Institute of Arts at Abidjan, Alphonse Tirou has been a senior dignitary in the Kman of the Masques de Sagesse for over twenty years. He is currently teaching at the Bloa Nam (Movements) dance school in Nmes, which he founded in 1979 and which is still the only school worldwide to research African dance.
Inhaltsverzeichnis
African Culture and the West Traditional African Dance The Influence of the Natural World The African Concept of the World Three Levels of Teaching Basic Movements The Basic Techniques The Dance The Talents and Culture of Traditional African Dance Innovation, Improvisation and Creativity The Kagnioulé Mountains Secondary Forms The Plain The Forest The Coast Beo and Gnenon Dances The Circle in Architecture Social Life Criteria of Beauty The Glo The Caillo The Gla Methods of Spatial Arrangements: The Techniques The Directions Positions Dooplé The Soumplé The Dooplé , Kagnioulé and Slavery The Kagnidjé è The Djié té ba The Doundo The Tchinkoui The Kouitchin The Zé pié The Neo The Positions of the Feet
