Argues that the songs of Pindar and Aeschylus share a "theatrical" spirit that illuminates choral performance in Classical Greece.
Inhaltsverzeichnis
Introduction: Pindar and Aeschylus in dialogue; 1. Voices of others: embedded speech in Pindar and Aeschylus; 2. Anachronistic harmonies: Agamemnon parodos, Pythian 4; 3. Vocal tools: Pythian 12, Olympian 13, Seven Against Thebes; 4. Somatic semblances: Choephoroi, Olympian 8, Pythian 2; 5. Locating the revenant: Pythian 8, Persians.