This book provides a critical history of runaway production, a phrase used by Hollywood production labor to describe the outsourcing of film work to foreign locations. Beginning with its inception in the 1940s, Camille Johnson-Yale argues that runaway production represents Hollywood's historical evolution from a place to a global commodity.
Inhaltsverzeichnis
Contents
Acknowledgments
Introduction to a Critical History of Runaway Production
Chapter One; Hollywood at the Crossroads: Runaway Film Production and the Postwar Film Industry
Chapter Two: Cleopatra Conquers Rome: Runaway Blockbusters in the 1960s
Chapter Three: Running Ink: Offshore Animation and the Rise of Domestic Runaway Productions
Chapter Four: The Canadian Film Industry and "So-Called" Runaway Production
Conclusion
References
About the Author
