Wide-ranging study that explores how 'old books' have been represented and interpreted from the eighteenth century to the present day.
Inhaltsverzeichnis
1. The past in pixels; 2. Restoration and invention; 3. Conservation, counterfeiting and bookbinding; 4. Representation and imitation; 5. From copying to facsimile; 6. The arrival of photography; 7. Public exhibition; 8. The Caxton exhibition of 1877; 9. A bibliographical and public revolution; 10. Conclusion.
David McKitterick is Librarian and Fellow of Trinity College, Cambridge. His books include A History of Cambridge University Press (three volumes, 1992-2004) and Print, Manuscript and the Search for Order, 1450-1830 (Cambridge University Press, 2003). He is also a general editor of The Cambridge History of the Book in Britain series.
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