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Sense Knowledge and the Challenge of Italian Renaissance Art

El Greco, Velázquez, Rembrandt

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Giles Knox examines how El Greco, Velaì zquez, and Rembrandt, though a disparate group of artists, were connected by a new self-consciousness with respect to artistic tradition. In particular, Knox considers the relationship of these artists to the art of Renaissance Italy, and sets aside nationalist art histories in order to see the period as one of fruitful exchange. Across Europe during the seventeenth century, artists read Italian-inspired writings on art and these texts informed how they contemplated their practice. Knox demonstrates how these three artists engaged dynamically with these writings, incorporating or rejecting the theoretical premises to which they were exposed. Additionally, this study significantly expands our understanding of how paintings can activate the sense of touch. Knox discusses how Velaì zquez and Rembrandt, though in quite different ways, sought to conjure for viewers thoughts about touching that resonated directly with the subject matter they depicted.

Produktdetails

Erscheinungsdatum
21. Oktober 2019
Sprache
englisch
Seitenanzahl
242
Reihe
Amsterdam University Press
Autor/Autorin
Giles Knox
Produktart
gebunden
Gewicht
726 g
Größe (L/B/H)
240/170/13 mm
ISBN
9789463725712

Portrait

Giles Knox

Giles Knox ========== Giles Knox is Associate Professor in the Department of Art History at Indiana University. He has edited, together with Tanya J. Tiffany: Velá zquez Re-Examined: Theory, History, Poetry, and Theatre, Brepols, 2017. He is the author of The Late Paintings of Velá zquez: Theorizing Painterly Performance, Ashgate, 2009.

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