Continuing her feminist reconceptualisation of the ways we can experience and study the visual arts, world renowned art historian and cultural analyst, Griselda Pollock proposes a series of new encounters through virtual exhibitions with art made by women over the twentieth-century. Challenging the dominant museum models of art and history that have been so exclusive of women's artistic contributions to the twentieth-century, the virtual feminist museum stages some of the complex relations between femininity, modernity and representation.
Inhaltsverzeichnis
Acknowledgements List of Illustrations Part 1: The Afterlife of Images: Framing Fathers 1. What the Graces made me do... Time, Space and the Archive: Questions of Feminist Method 2. The Grace of Time: Narrativity, Sexuality and the Visual Encounter 3. The Object's Gaze in the Freudian Museum Part 2: Femininity, Modernity and Representation 4.Visions of Sex ca 1920 Part 3: After Auschwitz: femininity and futurity 5. Jewish Space/Women's Time: Encounters with History in the Artworking of Charlotte Salomon 1941-1942 6. The Graces of Catastrophe: Matrixial Time and Aesthetic Space confront the Archive of Disaster Part 4: Time and the Mark 7. The Time of Drawing : Drawing Time Christine Taylor Patten's Micro/Macro series Index
