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Produktbild: Not Just for Children | Harold Hinds, Charles Tatum
Produktbild: Not Just for Children | Harold Hinds, Charles Tatum

Not Just for Children

The Mexican Comic Book in the Late 1960s and 1970s

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This pioneering study presents an overview of the Mexican comic book industry, together with in-depth studies of the best selling Mexican comic books of the 1960s and 1970s. Most of the popular superhero, adventure, humor, romance, political, detective, and Western comic books are described and analyzed in detail, and then discussed in terms of how they reflect both Mexican and United States cultures. The study concludes with a critical discussion of the media imperialism hypothesis' applicability to the Mexican comic book.

The comic book is Mexico's most popular print medium, read by all ages and socio-economic groups. Many may be surprised to learn that, in Mexico, Mexican comic books far outsell U. S. comic books in Spanish translation. The Mexican comic book is not a clone of its U. S. model, but rather a hybrid product that mixes U. S. forms and conventions with Mexican content. This work is a major contribution to the understanding of contemporary Mexican culture.

Inhaltsverzeichnis

Preface
Mexican Comic Books: Their Production and Consumption
KaliMÁ n
Lá grimas, risas y amor
Rius' Los supermachos and Los agachados
Post-Rius Los supermachos
Chanoc
El Payo
La familla burró n
La novela policiaca
Conclusion
Select Bibliography
Index

Produktdetails

Erscheinungsdatum
22. Juli 1992
Sprache
englisch
Seitenanzahl
272
Autor/Autorin
Harold Hinds, Charles Tatum
Verlag/Hersteller
Produktart
gebunden
Gewicht
575 g
Größe (L/B/H)
240/161/19 mm
ISBN
9780313254673

Portrait

Harold Hinds

Harold E. Hinds, Charles M. Tatum

Pressestimmen

?A delightful book about Mexican culture as seen through Mexican comic books, this study analyzes the influences and differences between these and their Euroamerican counterparts. Among other questions the authors ask "Why are comic books so popular in Mexico?" They analyze Kaliman, Lagrimas, Risas y amor, Los supermachos and Los agachados, Chanoc, El Payo, and La familia Burron. Kaliman, "The Incredible Man," read by all sectors, is described as representing "sanitized machismo," symbolizing male supremacy in the outer world. "Ordinary people and the authorities are basically helpless." Kaliman's sidekick, Solin, more Mexican-looking than the exotic Kaliman, is seen by the comic's creators as a role model for children, a "model of dependency." Other treatments are just as ingenious. The Mexican comic book, a sort of escapist folk or mass literature, is much more--it touches on themes such as class conflict, US cultural imperialism, and how Mexicans see the world. Not Just for Children makes one think and laugh. Highly recommended. All levels.?-Choice

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