This monograph examines Italian women as protagonists and consumers of literature, theatre, opera, and film. Using personal writing, journalism, and canonical texts, it analyses female performance and women's responses.
Inhaltsverzeichnis
Introduction
Chapter One Towards Cross-Disciplinary Female Spectatorships
Chapter Two Spectators, Traviate, and Women's Access to Culture
Chapter Three The Private Female Gaze
Chapter Four The Public Female Gaze
Chapter Five The Imaginary Female Gaze
Chapter Six The Female Gaze Beyond Italy
Conclusion
Appendix