The Motet in the Late Middle Ages

Name: The Motet in the Late Middle Ages
Brand: Oxford University Press, USA
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A wide-ranging, single-authored overview of late-medieval motets by a leading scholar, The Motet in the Late Middle Ages offers innovative approaches to the equal partnership of music and texts in motets of the fourteenth century and beyond. With new analyses of text and music together, new datings, new attributions, and new hypotheses about origins and interrelationships, author Margaret Bent uncovers little-explored dimensions, provides a window into the craft and thought processes of medieval composers, and opens up many directions for future work.

Inhaltsverzeichnis

List of Illustrations

List of Tables

List of Music Examples

List of Sound Clips

List of Abbreviations

Introduction

PART I. COMPOSITIONAL TECHNIQUES

1. Theoretical and Terminological Issues

2. What is Isorhythm?

PART II. THE MARIGNY MOTETS, BEYOND FAUVEL, AND VITRY

3. Fauvel and Marigny: Which Came First?

4. Tribum que non abhorruit/Quoniam secta latronum/Merito hec patimur and its 'Quotations'; and Garrit gallus/In nova

Appendix: Commentary to Tribum/Quoniam; Commentary to Garrit/In nova

5. Aman novi/Heu Fortuna/Heu me

6. Floret/Florens: Intended for Fauvel?

7. Related Manuscripts, Related Motets; Vitry

8. Vos quid admiramini/Gratissima virginis species/Gaude gloriosa

PART III. MACHAUT

9. Words and Music in Machaut's Motet 9

10. Deception, Exegesis and Sounding Number in Machaut's Motet 15

11. The 'Harmony' of the Machaut Mass

12. Machaut's Motet 10 and its Interconnections

13. Machaut's Motet 18: Bone pastor Guillerme/Bone pastor, qui pastores/Bone pastor

14. Text-Music Relationships in Machaut's Motets 4 and 8

PART IV. MUSICORUM COLLEGIUM: THE MUSICIAN MOTETS

15. Apollinis eclipsatur, its Progeny and their Sources

16. Apollinis eclipsatur/Zodiacum signis/In omnem terram and Later Versions with Added Parts

Appendix: Commentaries to Web Transcriptions for the Pieces with Multiple Sources

17. Musicalis sciencia/Sciencie laudabili; the Musicians Named in Apollinis and Musicalis

18. Musicorum collegio/In templo Dei/Auete

19. Alma polis religio/Axe poli cum artica and its Named Musicians

Appendix: Variants to Ex. 19.1, Alma polis religio/Axe poli cum artica

20. Sub arturo plebs/Fons citharizancium/In omnem terram and its Musicians

Appendix: Variants in Sub Arturo plebs

21. Fragmentary Motets and Other Possibly Linked Compositions

PART V. ENGLISH MOTETS C. 1400-1420

22. The Yoxford Manuscript and the Motet O amicus/Precursoris

23. The Yoxford Credo

Appendix: Notes to Credo Transcription

24. Mayshuet and the Deo gratias Motets in the Old Hall Manuscript

25. Old Hall, the Agincourt Motets, and Dunstaple

PART VI. ITALIAN MOTETS

26. The Fourteenth-Century Italian Motet

27. The Motet Collection of San Lorenzo 2211 (SL2211) and the Composer Hubertus de Salinis

28. The Motets of Johannes Ciconia

29. Ciconia, Prosdocimus, and the Workings of Musical Grammar as Exemplified in O felix templum and O Padua

PART VII. MUSIC FOR POPES AND THE COURTS OF BURGUNDY AND CYPRUS

30. Early Papal Motets

Appendix: Music for Popes Clement VI to Eugene IV

31. Trémoïlle Revisited

Appendix: Transcription of Incipits as Listed in the Trém Index

32. Some Aspects of the Motets in the Cyprus Manuscript

Appendix: The Cyprus Motets

Bibliography

Index of Manuscripts

Index of Compositions

General Index

Produktdetails

Erscheinungsdatum

17. November 2023

Sprache

englisch

Seitenanzahl

776

Autor/Autorin

Margaret Bent

Verlag/Hersteller

Oxford University Press, USA

Produktart

gebunden

Gewicht

1497 g

Größe (L/B/H)

241/185/81 mm

ISBN

9780190063771

Portrait

Margaret Bent

Margaret Bent is an emeritus Fellow of All Souls College, Oxford, and a Fellow of several international societies and academies. Between 1975 and 1992 she taught at Brandeis and Princeton universities and served as President of the American Musicological Society. Her numerous publications range over English and continental music, repertories, notation, and theory of the fourteenth to sixteenth centuries. Her editorial publications include critical editions of Dunstaple, Ciconia, English masses, and a Rossini opera. Her many honours include the C.B.E. and three honorary degrees. In 2018, she received the inaugural Adler prize of the International Musicological Society.

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