Examining innovations in Mary Magdalene imagery - including her dress - in northern art 1430 to 1550, Penny Jolly explores how the saint's widespread popularity drew upon her ability to embody oppositions and embrace a range of paradoxical roles: sinner-prostitute and saint, erotic seductress and holy prophet. Analyzing paintings by Rogier van der Weyden, Quentin Massys, and others, Jolly investigates artists' and audiences' responses to increasing religious tensions, expanding art markets, and changing roles for women.
Inhaltsverzeichnis
List of Illustrations, Preface and Acknowledgements, Introduction, 1. The "Pregnant" Magdalene, Bride of Christ: Rogier van der Weyden's Descent from the Cross, 2. The Wise and Foolish Magdalene: Rogier van der Weyden's Braque Triptych, 3. The Engaging Magdalene: Quentin Massys' Mary Magdalene Opening her Jar, 4. The Lovesick Magdalene: the Master of the Female Half-lengths and Jan van Hemessen's Musical Magdalenes, 5. The Melancholic Magdalene: Adriaen Isenbrant and the Master of the Female Half-lengths' Landscape Magdalenes, Conclusion, Bibliography, Index
