Goldwater's book. . . has remained the definitive account of the artistic impact of primitive art on the art of modern Europe.
A valuable contribution to contemporary art criticism.
Goldwater's study, first published in 1938, has become a classic in the field of art history. His descriptions of how and why modern painters and sculptors were attracted to primitive art are essential to understanding artists from Paul Gauguin to Paul Klee.
This book is admirably thorough. Professor Goldwater's approach to the problems involved remains consistently historical, analytical and descriptive. . . The investigation. . . is of lively interest and real importance.
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