The Theatre of Veenapani Chawla

Inhaltsverzeichnis

DEDICATION ; ACKNOWLEDGEMENTS ; FOREWORD BY MAHESH ELKUNCHAWAR ; PART ONE: BEGINNINGS ; 1. THE MUMBAI YEARS ; SHANTA GOKHALE ; 2. KUNTI AND THE HUMAN VOICE ; ALAKNANDA SAMARTH AND VEENAPANI CHAWLA ; PART TWO: THE ADISHAKTI CAMPUS AND TEAM ; 1. ARCHITECTURE AND THEATRE ; VEENAPANI CHAWLA ; 2. THE GOOD EARTH ; GEETA DOCTOR ; 3. HOME FOR THEATRE ; HIMANSHU BURTE ; 4. THE CORE TEAM ; SHANTA GOKHALE ; 5. COME, WORK WITH ME ; SARA JOSEPH ; PART THREE: ALL ABOUT SOURCES ; 1. CONVERSATIONS WITH LEELA: ALL ABOUT SOURCES ; LEELA GANDHI INTERVIEWS VEENAPANI CHAWLA ; PART FOUR: THEORY AND PRACTICE ; 1. THEATRE RESEARCH AND LABORATORY OUTSIDE THE URB ; VEENAPANI CHAWLA ; 2. ADISHAKTI AND ITS PERFORMANCE TECHNIQUES ; VEENAPANI CHAWLA ; 3. SPACE AND THE ACTOR ; VEENAPANI CHAWLA ; PART FIVE: PERFORMANCE TEXTS, REVIEWS, AND INTERVIEWS ; 1. IMPRESSIONS OF BHIMA: PERFORMANCE TEXT ; VEENAPANI CHAWLA ; 2. REVIEW: IMPRESSIVLEY FUNNY ; KEVAL ARORA ; 3. BRHANALLA: PERFORMANCE TEXT ; VEENAPANI CHAWLA ; 4. BRHANNALA: TWO LIMINAL MOMENTS ; VEENAPANI CHAWLA ; 5. REVIEW: AN ALTERNATIVE TO WESTERN THEATRE ; CLARISSA OON ; 6. REVIEW: THE POWER OF IMAGE ; MAURA NGUYEN DONOHUE ; 7. GANAPATI: PERFORMANCE TEXT ; VEENAPANI CHAWLA ; 8. REVIEW: INSPIRED BY TRADITION ; LEELA VENKATRAMAN ; 9. REVIEW: THOUGHTS ON CREATIVITY AND CULTURAL POLITICS ; M.D. MUTHUKUMARASWAMY ; 10. THE HARE AND THE TORTOISE: PERFORMANCE TEXT ; VEENAPANI CHAWLA ; 11. FROM AESOP TO HAMLET: INTERVIEW ; ANMOL VELLANI ; PART SIX: WORKSHOPS ; 1. HOLLOW AS A DRUM: ACTOR TRAINING AT ADISHAKTI ; JOY BROOKE FAIRFIELD ; 2. SOURCE OF PERFORMANCE ENERGY ; RAM GANESH KAMATHAM ; PART SEVEN: THE RAMAYANA FESTIVAL ; 1. THE RAMAYANA FROM MULTIPLE PERSPECTIVES ; DEVINA DUTT ; 2. THE LAST WORD ; SHANTA GOKHALE ; APPENDICES ; POSTSCRIPT BY SHANTA GOKHALE ; BIBLIOGRAPHY ; ABOUT THE EDITOR AND CONTRIBUTORS

Portrait

Shanta Gokhale, formerly Arts Editor, The Times of India (Mumbai), is a well-known writer and translator.