The Cambridge Handbook of Copyright in Street Art and Graffiti

Part I. Creativity in the Street Between Misappropriation and Destruction: The Role of Copyright and Moral Rights; Section 1. A Sociological Perspective: 1. A set of premises for the scrutiny and interpretation of graffiti and street art Heitor Alvelos; 2. Graffiti and street art: creative practices amid 'corporatization' and 'corporate appropriation' Ronald Kramer; 3. Decontextualisation of street art Peter Bengtsen; Section 2. Some Preliminary Legal and Policy Issues: 4. Copyright protection of illegal street and graffiti artworks Paula Westenberger; 5. Conservation of street art, moral right of integrity and a web of conflicting interests Enrico Bonadio; 6. Works and walls: graffiti writing and street art at the intersection of copyright and land law Marta Iljadica; Part II. National Legal Analysis: Section 1. Americas: 7. Street art, graffiti and copyright: a US perspective Enrico Bonadio; 8. Graffiti, street art, walls, and the public in Canadian copyright law Pascale Chapdeleine; 9. Copyright protection for graffiti and street art: a Colombian perspective Marcela Palacio Puerta; Section 2. Europe: 10. Street art, graffiti and copyright: a UK law perspective Enrico Bonadio; 11. Graffiti, street art and copyright in France Shane Burke; 12. Germany Marc Mimler; 13. Copyright in street art and graffiti: an Italian perspective Enrico Bonadio and Gilberto Cavagna Di Gualdana; 14. Copyright in street art and graffiti in The Netherlands Anke Moerland and Stéphanie De Potte; 15. Copyright protection of street art and graffiti in Greece: intellectual property and personal property in conflict? Stavroula Karapapa; Section 3. Africa, Asia and Australasia: 16. Graffiti and street art under South African copyright law Tobias Schonwetter and Bram Van Wiele; 17. Street art, graffiti, and Indian copyright law Nandita Saikia; 18. Copyright in street art and graffiti: an Australian perspective Mark Davidson; 19. Copyright, graffiti, and street art in Aotearoa New Zealand Jonathan Barrett; Epilogue. A contrasting opinion: 20. Copyright skepticism and street art: a contrasting opinion Andrea Baldini.