As China looks to reinvigorate its soft power by drawing on the creative inputs of foreign media producers and technical expertise, this book explores how and why creative workers are moving to the Mainland from East Asia, and how they are navigating the challenges of producing creative and critical content in a politically constrained environment.
Inhaltsverzeichnis
Acknowledgments / Introduction: Willing Collaborators, the Long Game, Michael Keane / 1 The New International Division of Cultural Labor, Global Media Studies, and the Cultural Rise of China, Terry Flew / 2 Collaborators, Mediators, and Processes: Film Co-production in China, Weiying Peng / 3 The New Geography of the Global Blockbuster: Wanda Scales Up, Michael Curtin / 4 The Will to Power: The BAT in and Beyond China, Michael Keane and Chunmeizi Su / 5 Two-Systems Differential: Informal Media and Decolonization in Hong Kong, Darrell William Davis / 6 Hong Kong Cinema: Reconnecting Its Southeast Asian Heritage, Peichi Chung / 7 Producing Nuanced Chinese Fantasy: A Case Study of Stephen Chow's Box Office Hit Mermaid, Hongchi Shiau and Brian Yecies / 8 China-Japan Crossover Comics: Localization, Re-localization, and Export, Anthony Fung / 9 Dreaming of Webtoons in China and the Next Korean Wave, Brian Yecies / 10 Japanese Cultural Adaptation, Formats, and Remaking in East Asia, Seiko Yasumoto / 11 Regionalizing Reality: The Rise of East Asian Collaborations in Television Production, Ju Oak Kim / 12 Localizing Korean Reality Shows in China: The Practice of Production and Censorship, Arjen Nauta / 13 Cross-Straits Online Collaboration : Multiple Publics and Intractable Institutions, Elaine Jing Zhao / 14 Pan-Asian Celebrity and Manufacturing Women's Desires on East Asian Screens Big and Small, Tania Lim / 15 Creative Migration: Talent and Celebrity Movements to the Chinese Mainland, Danjing Joy Zhang and Michael Keane / Bibliography / Index / About the Editors and Contributors
