The pioneers of what has been labelled New Queer Cinema laid the foundation for a Queer Post-Cinema a movement in which artists experiment with technology in innovative ways. Through original readings of Todd Haynes s early films, Sharon Hayes and Yael Bartana s videos and installations, Su Friedrich s digital video Seeing Red, Charlie Prodgers s iPhone film Bridgit, and Claire Denis s science-fiction film Highlife, this monograph shows how artists are creating a new form of resistance in the time of the digital image and generative AI.
Inhaltsverzeichnis
Acknowledgments
Introduction | 1-26
Autoimmunity and Sexual Difference in Todd Haynes s Films Superstar: The Karen Carpenter Story, Poison, and Safe | 27-52
Affective-Political Work with Documents: Sharon Hayes and Yael Bartana | 53-80
Intense Play with Light and Sound: Reading Su Friedrich s Seeing Red (2005) together with Walter Benjamin s and Gilles Deleuze s Philosophies of Technology | 81-114
The iPhone as a Medium of Queer Aesthetics and Fluid Subjectivity: Charlie Prodger s Bridgit | 115-148
She Is Inseminating: Thanatopolitics and Reproduction in Claire Denis s Science Fiction Film High Life (2018) | 149-179
Coda | 181-185
References
Index
