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The Italian Renaissance is a pivotal episode in the history of Western culture. Artists such as Masaccio, Donatello, and Fra Angelico created some of the most influential and exciting works in a variety of artistic fields at this time. Evelyn Welch presents a fresh picture of this period in the light of new scholarship and by recreating the experience of contemporary Italians - the patrons, the viewing public and the artists. The book discusses a wide range of works from across Italy, examines the issues of materials, workshop practices and artist-patron relationships, and explores the ways in which visual imagery related to contemporary sexual, social and political behaviour.
Produktdetails
Erscheinungsdatum
17. Mai 2001
Sprache
englisch
Auflage
Reissue edition
Seitenanzahl
352
Autor/Autorin
Evelyn Welch
Verlag/Hersteller
Produktart
kartoniert
Gewicht
826 g
Größe (L/B/H)
238/167/22 mm
ISBN
9780192842794
Pressestimmen
"His discussion is marked by its scholarly breadth, clarity of argument, and willingness to include objects not within the canonic corpus....Welch's deeply informed and wide-ranging synthesis is a significant and welcome addition to the literature."--Library Journal
"This is a splendid book: well-conceived, lucidly presented, beautifully illustrated. The practical information on the production of works of art (the techniques of fresco painting and casting bronze) and on the social organization of artistic production is most welcome."--Daniel Bornstein, Texas A&M University
"An up-to-date, lucid and entirely readable synthesis of a wide range of current scholarship...should be required reading."--Nicholas Mann, Warburg Institute
"Learned and helpful...I do not know any other book which covers these topics so satisfactorily."--George Holmes, All Souls, Oxford
"A fresh and richly documented perspective on the role of images in the early Renaissance."--Martin Ke
"This is a splendid book: well-conceived, lucidly presented, beautifully illustrated. The practical information on the production of works of art (the techniques of fresco painting and casting bronze) and on the social organization of artistic production is most welcome."--Daniel Bornstein, Texas A&M University
"An up-to-date, lucid and entirely readable synthesis of a wide range of current scholarship...should be required reading."--Nicholas Mann, Warburg Institute
"Learned and helpful...I do not know any other book which covers these topics so satisfactorily."--George Holmes, All Souls, Oxford
"A fresh and richly documented perspective on the role of images in the early Renaissance."--Martin Ke
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