Tonality and Transformation employs transformational music theory to illuminate diverse aspects of tonal hearing-from the infusion of sounding pitches with familiar tonal qualities to sensations of directedness and attraction.
Inhaltsverzeichnis
- Note to Readers
- A Note on Orthography
- Introduction
- Part I: Theory and Methodology
- Chapter 1: Intervals, Transformations, and Tonal Analysis
- Chapter 2: A Tonal GIS
- Chapter 3: Oriented Networks
- Part II: Analytical Essays
- Chapter 4: Bach, Fugue in E major, Well-Tempered Clavier, Book II, BWV 878
- Chapter 5: Mozart, "Un'aura amorosa," from Così fan tutte
- Chapter 6: Brahms, Intermezzo in A major, op. 118, no. 2
- Chapter 7: Brahms, String Quintet in G major, mvt. ii, Adagio
- Glossary
- Works Cited
- Index