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Inhaltsverzeichnis
One / Thoughts and Methods. - I. Preliminaries. - II. The advent of the ethnomusicologist. - III. The ethnomusicologist s workshop. - IV. The question of origin. - Two / Early Music. - V. The oldest music: tumbling strains. - VI. The oldest music: one-step melodies. - VII. Conservatism and magic. - VIII. Vocal mannerisms. - IX. Instruments. - X. Rhythm and form III. - Three / On the Way. - Growth, personality, art. - Four / The Fate of Secondal and Tertial Patterns. - The widening nucleus triadic and fanfare melodies tonal anatomy and physiology chains double, triple, quadruple, quintuple and sextuple thirds skeletons and infixes pentatonism and heptatonism German chorale dialect Landino third four-line notation six-five patterns triadic octaves. - Five / The Fate of Quartal and Quintal Patterns. - Disjunction and conjunction quartal chains chains of fifths hybrids modulation culture chance once more. - Six / Centric Melodies Gregorian tenor melodies the concept of mesè. - Seven / Polyphony. - Vertical and horizontal distribution isochronous conductus parallels drones grounds alternation and canon Stimmtausch- heterophony. - Eight / Cross- or Polyrhythm. - Independent accompaniment hemiola syncopation Afro-Indian concordances. - Nine / Professional Music and Musical Systems. - Semi-professionals and professionals bards minstrelsy segregation and discrimination professional waiters musical vocabularies pitch syllables concomitant method of learning. - Ten / `Progress ? . - The fading theory of evolution culture graft progress evidences against progress our gain is our loss. - A note on Bibliography. - Index of Names.
