Emphasizing films such as Batman: The Movie that have received little scholarly attention, this book presents a new and more coherent definition of the comic book film as a stylistic approach rather than a genre.
Inhaltsverzeichnis
- Acknowledgments
- Introduction
- Chapter 1. The Six Modes of Interaction between Comics and Film
- Chapter 2. Vandalizing the Fourth Wall: Word-Image Hybridity and a Comic Book Cinema of Attractions
- Chapter 3. These Panels Have Been Formatted to Fit Your Screen: Remediating the Comics Page through the Cinematic Frame
- Chapter 4. The Privileged Instant: Remediating Stasis as Movement
- Chapter 5. The Polymedial Comic Book Film
- Conclusion
- Notes
- Bibliography
- Index