Inhaltsverzeichnis
Table of Contents
Foreword by Arianné Ulmer Cipes
Introduction: The Return of Edgar G. Ulmer
BERND HERZOGENRATH
Ulmer and Cult/ure
BERND HERZOGENRATH
Camera Obscura, or Moments of Broken Economy in Edgar G. Ulmer's Films
STEFAN GRISSEMANN
The Ordinary Life of Ordinary People: Menschen am Sonntag
PETRA LÖFFLER
Ulmer's Anti-Syphilis Film: Damaged Lives and Its Novelization
MARCEL ARBEIT
The Black Cat
GREGORY WILLIAM MANK
In Search of Jewish Identity
SHARON PUCKER RIVO
Moon of Alabama / Moon Over Harlem: African American Culture and German Imaginations from Brecht to Ulmer
FRANK MEHRING
Detour's History/History's Detour
DANA POLAN
The Strange Woman: An Analysis with Gilles Deleuze's Notion of the Impulse-Image
JULIA MEIER
The Logic of Contradiction and the Politics of Desire in Ruthless
REYNOLD HUMPHRIES
The Man from Planet X
MATTHEW SWENEY
Camp, Art Film, Classical Hollywood Cinema and Babes in Bagdad
HERBERT SCHWAAB
The Pleasures of the "Not-Quite Movie": Murder Is My Beat and Daughter of Dr. Jekyll
EKKEHARD KNÖRER
Products of Circumstances
STEFANIE DIEKMANN
The Naked Dawn: Production, Sources, and Mise-en-Scène
BILL KROHN
The Effects of the Displacement of Home in Daughter of Dr. Jekyll
MICHAL PEPRNÍK
What You See Is What You Get: Ulmer and the Nudist Picture
PETRA HANÁKOVÁ
Geocinema and Geophilosophy: The Cavern
PHILIPP HOFMANN
Ulmer in the Aquarium
ADRIAN MARTIN
About the Contributors
Index
