Unfinished Business argues that U.S. deindustrialization cannot be separated from race, specifically from choreographed movements of African Americans that represent or resist normative or aberrant relationships to work and capital in transitional times.
Inhaltsverzeichnis
Preface
Introduction: "Never Can Say Goodbye": U.S. Deindustrialization as Unfinished Business
Part I: Michael Jackson's Spectacular Deindustriality
Chapter One The Labors of Michael Jackson: Transitional Deindustriality, Dance, and Virtuous(o) Work
Chapter Two Consuming Passions, Wasted Efforts: Michael Jackson's Financial(-ized) Melodramas
Part II: Detroit's Deindustrial Homeplaces
Chapter Three Combustible Hopes on the National State: Figuring Race, Work, and Home in "not necessarily") Detroit
Chapter Four Up From the Ashes: Art in Detroit's Emerging Phoenix Narrative
Coda Still Unfinished . . . .
References
Index
Produktdetails
Erscheinungsdatum
01. November 2017
Sprache
englisch
Untertitel
Michael Jackson, Detroit, and the Figural Economy of American Deindustrialization.
Sprache: Englisch.
Judith Hamera is Professor of Dance in the Peter B. Lewis Center for the Arts, with affiliations in American Studies, Gender and Sexuality Studies, and Urban Studies, Princeton University. She is the author of Dancing Communities: Performance, Difference and Connection in the Global City (2007).
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