Diverting Authorities examines literary experimentation in the fifteenth and sixteenth centuries. It looks at marginal annotations or 'glosses' provided by authors in a wide range of texts and argues that they provide important evidence for evolving ideas of authorship and literary authority.
Inhaltsverzeichnis
Introduction
1: Material Processes: The Glossing of Lydgate's Siege of Thebes and Fall of Princes
2: Authors, Translators and Commentators: Glossing Practices in Bodleian MS Fairfax 16
3: Exhortations to the Reader: The Double Glossing of Douglas's Eneados
4: Glossing the Spoken Word: Erasmus's Moriae Encomium and Thomas Chaloner's Praise of Folie
5: 'A Broil of Voices': The Printed Word in Baldwin's Beware the Cat and Bullein's Dialogue against the Fever Pestilence
6: 'Masking naked in a net': George Gascoigne and Sir John Harington
7: 'Playing the Dolt in Print': The Extemporary Glossing of Nashe's Pierce Penilesse
Jane Griffiths is Tutor and Fellow in English at Wadham College, Oxford. Her first monograph, John Skelton and Poetic Authority: Defining the Liberty to Speak, was published by OUP in 2006, and her most recent collection of poetry is Terrestrial Variations (Bloodaxe, 2012).
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