In British Cinema 1945-63, Christine Geraghty examines some of the most popular films of this period, exploring the ways in which they reworked contemporary social issues and themes such as national identity.
Inhaltsverzeichnis
Acknowledgements Preface 1. The Experience of Picturegoing: Cinema as a Social Space 2. Modernity, the Modern and Fifties Britain 3. Rural Rebels and the Landscape of Opposition 4. Resisting Modernity: Comedies of Bureaucracy and Expertise 5. The Post-War Settlement and Women's Choices: Melodrama and Realism in Ealing Drama 6. European Relations: Sex, Politics and the European Woman 7. The Commonwealth Film and the Liberal Dilemma 8. Reconstituting the Family: 'It's for Children that I'm Worried.' 9. Femininity in the Fifties: The New Woman and the Problem of the Female Star 10. The Fifties War Film: Creating Space for the Triumph of Masculinity