Global Hiphopography

INTRODUCTION:Hip Hop s here, there and everywhere: An introduction to
Global Hiphopography
. -PART I NOW CHECK THE METHOD. -CHAPTER 1:Public Enemy, public scholarship: Hiphopography and the co-production of knowledge with Chuck D. -CHAPTER 2:Rappin for rap s sake: Towards T. R. A. P. research for collective liberation. -CHAPTER 3:Recalculating : Hiphopography and decentring scholarship. -CHAPTER 4:Relational hiphopography: Some notes on shared study . -CHAPTER 5:Homeboys: A photo essay on Delhi s underground hip hop culture. PARTII FEMININE ENERGY. -CHAPTER 6:Decolonizing African Studies approaches to research on African women in Hip-Hop. - CHAPTER 7:Sisters in the hood: Re-centring gender balance in HipHop by creating safe spaces for women. - PART III MIND, BODY AND SOUL. -CHAPTER 8:How I know, be, move: Embodied Hip Hop Pedagogies as teaching, research, writing, and living praxis . -CHAPTER 9:Flipping the academic discourse: Reflections on corporeal knowledge and gender negotiations in breaking. -CHAPTER 10:Graffuturism: Hiphopographic futures for urban art. - PART IV FEAR OF A BLACK PLANET. -CHAPTER 11:Translocal hip hop aesthetics: Contemporary performances in Brazilian hip hop. -CHAPTER 12:Racialization and strategic / normalized otherness: A hiphopography of Danish and Finnish rap scenes. - PART V POLITRICKS. - CHAPTER 13:Real and hypocrisy: The moral turn in Chinese Hip Hop music. -CHAPTER 14:Transidiomatism in Da Billas
Mafohlana
rap song: The socio-cultural integration of Mozambican migrants in South Africa. - PART VI THIS IS A JOURNEY INTO SOUND:CHAPTER 15:The mixtape as Hip Hop historiography: A systematic analysis of record releases of German 1980s Hip Hop. -CHAPTER 16:`My space trips from Chimoio : Notes about space and temporality in sampling. -CHAPTER 17:Black sound designs: Reflections on one Brazilian DJ s approach to a profession