Matthew B. Karush is Professor of History at George Mason University. He is the author of Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946 and coeditor of The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, both also published by Duke University Press.
Inhaltsverzeichnis
Acknowledgments ix
Note about Online Resources xi
Introduction 1
1. Black in Buenos Aires: Oscar Alemán and the Transnational History of Swing 15
2. Argentines into Latins: The Jazz Histories of Lalo Schifrin and Gato Barbieri 39
3. Cosmopolitan Tango: Astor Piazzolla at Home and Abroad 70
4. The Sound of Latin America: Sandro and the Invention of Balada 108
5. Indigenous Argentina and Revolutionary Latin America: Mercedes Sosa and the Multiple Meanings of Folk Music 142
6. The Music of Globalization: Gustavo Santaollalo and the Production of Rock Latino 179
Conclusion 216
Notes 221
Bibliography 249
Index 263