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The Oxford Handbook of Shakespeare and Performance
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Presents the most current approaches to Shakespeare in performance, including how experimental modes of performance ensure Shakespeare's contemporaneity; how and why audiences respond to performances as they do; how technology has revolutionized our access to Shakespeare, and cultural appropriation in productions for international audiences.
Inhaltsverzeichnis
- Introduction: Cross-Currents in Performance Criticism
- PART I: EXPERIMENTAL SHAKESPEARE
- 1: Susan Bennett: Experimental Shakespeare
- 2: Bridget Escolme: Shakespeare and the Contemporary: Psychology, Culture, and Audience in Othello Production
- 3: Roberta Barker: 'Deared by Being Lacked': The Realist Legacy and the Art of Failure in Shakespearean Performance
- 4: Carol Chillington Rutter: Shakespeare for Dummies, or 'See the Puppets Dallying'
- 5: Peter Kirwan: Not-Shakespeare and the Shakespearean Ghost
- 6: Kim Solga: Shakespeare's Property Ladder: Women Directors and the Politics of 'Ownership'
- 7: Andrew James Hartley: Dialectical Shakespeare: Pedagogy in Performance
- 8: Ton Hoensalaars: Captive Shakespeare
- PART II: RECEPTION
- 9: Ayanna Thompson: (How) Should We Listen to Audiences? Race, Reception, and the Audience Survey
- 10: Peter Holland: Forgetting Performance
- 11: Cary M. Mazer: Documenting the Demotic: Actor Blogs and the Guts of the Opera Singer
- 12: Robert Shaughnessy: The Time is Out of Joint: Shakespeare, Jet Lag, and the Rhythms of Performance
- 13: Paul Menzer: Archives and Anecdotes
- 14: Robert Conkie: Reveries of a Shakespearean Walker
- 15: Katherine Prince: Intimate and Epic Macbeths in Contemporary Performance
- PART III: MEDIA AND TECHNOLOGY
- 16: Thomas Cartelli: High Tech Shakespeare in a Mediatized Globe: Ivo van Hove's Roman Tragedies and the Problem of Spectatorship
- 17: Stephen Purcell: 'It's All a Bit of a Risk': Reformulating 'Liveness' in Twenty-First Century Performances of Shakespeare
- 18: Pascale Aebischer: Technology and the Ethics of Spectatorship
- 19: W. B. Worthen: Shakespearean Technicity
- 20: Sarah Werner: Performance in Digital Editions of Shakespeare
- 21: Anthony R. Guneratne: Shakespeare's Rebirth: Performance in Music, Dance, Theatre, and Cinema in the Age of Electro-Digital Reproduction
- 22: Scott Newstok: Making 'Music at the Editing Table': Echoing Verdi in Welles' Othello
- 23: Samuel Crowl: 'Nobody's Perfect': Cross-Dressing and Gender-Bending in Sven Gade's Hamlet and Julie Taymor's Tempest
- 24: Courtney Lehmann: Can the Subaltern Sing? Liz White's Othello
- PART IV: GLOBAL SHAKESPEARE
- 25: Alexa Alice Joubin: Global Shakespeare Criticism beyond the Nation-State
- 26: Dennis Kennedy: Global Shakespeare and Globalized Performance
- 27: Christie Carson: Performance, Presence, and Personal Responsibility: Witnessing Global Theatre in and around the Globe
- 28: Sonia Massai: Shakespeare with and without its Language
- 29: Rose Elfman: Slapstick against Stereotypes in South Sudan's Cymbeline
- 30: Colette Gordon: Open and Closed: Workshopping Shakespeare in South Africa
- 31: Adele Seeff: Indigenizing Shakespeare in South Africa
- 32: Alfredo Michel Modenessi: 'Victim of Improvisation' in Latin America: Shakespeare Out-sourced and In-taken
- 33: Robert Ormsby: Global Cultural Tourism at Canada's Stratford Festival: The Adventures of Pericles
- 34: Michiko Suematsu: Verbal and Visual Representations in Modern Japanese Shakespeare Productions
- 35: Li Ruru: There Is a World Elsewhere: Shakespeare on the Chinese Stage
- 36: Yong Li Lan: Translating Performance: the Asian Shakespeare Intercultural Archive
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Produktdetails
Erscheinungsdatum
23. Januar 2018
Sprache
englisch
Seitenanzahl
698
Reihe
Oxford Handbooks
Herausgegeben von
James C Bulman
Verlag/Hersteller
Produktart
gebunden
Gewicht
1383 g
Größe (L/B/H)
249/173/48 mm
ISBN
9780199687169
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