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Produktbild: Postal Plots in British Fiction, 1840-1898 | L. Rotunno
Weitere Ansicht: Postal Plots in British Fiction, 1840-1898 | L. Rotunno
Produktbild: Postal Plots in British Fiction, 1840-1898 | L. Rotunno

Postal Plots in British Fiction, 1840-1898

Readdressing Correspondence in Victorian Culture

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By 1840, the epistolary novel was dead. Letters in Victorian fiction, however, were unmistakably alive. Postal Plots explores how Victorian postal reforms unleashed a new and sometimes unruly population into the Victorian literary marketplace where they threatened the definition and development of the Victorian literary professional.

Inhaltsverzeichnis

Acknowledgements 1. Correspondence Culture 2. Mr. Micawber, Letter-Writing Manuals, and Charles Dickens's Literary Professionals 3. Feminized Correspondence, the Unknown Public, and the Egalitarian Professional of Wilkie Collins's The Woman in White 4. From Postmarks to Literary Professionalism in Anthony Trollope's John Caldigate 5. Telegraphing Literature in Arthur Conan Doyle's The Sign of Four Conclusion: Undelivered Bibliography Index

Produktdetails

Erscheinungsdatum
01. Januar 2013
Sprache
englisch
Untertitel
Readdressing Correspondence in Victorian Culture. 1st edition 2013. IX, 208 p. Sprache: Englisch.
Auflage
1st edition 2013
Seitenanzahl
220
Reihe
Palgrave Studies in Nineteenth-Century Writing and Culture
Autor/Autorin
L. Rotunno
Illustrationen
IX, 208 p.
Verlag/Hersteller
Produktart
kartoniert
Abbildungen
IX, 208 p.
Gewicht
283 g
Größe (L/B/H)
216/140/13 mm
ISBN
9781349458806

Portrait

L. Rotunno

Laura Rotunno is Associate Professor of English at Penn State Altoona, USA, where she is also the Honors Program Coordinator. She has published in Victorian Literature and Culture and Victorian Periodicals Review. Her research interests include professionalization and education as it developed throughout the Victorian period.

Pressestimmen

' ' Postal Plots sheds light on the significance of letters in Victorian fiction by firmly rooting them in social contexts and offering a range of stimulating close readings. ' ' - The Review of English Studies

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