A study of European art cinema's postwar heyday. This book presents an argument that cinematic modernism was not a unified movement. It traces the emergence of art cinema as a historical category. It explains the main formal characteristics of modern styles and forms as well as their intellectual foundation.
András Bálint Kovács is associate professor in the Institute for Art Theory and Media Research at ELTE University in Budapest.
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"Andras Balint Kovacs has written a monumental work. Impressive in its scope, erudition, originality, critical acumen, and philosophical sophistication, Screening Modernism is a landmark historical study of modernist cinema that makes a permanent contribution to the field." - William Rothman, University of Miami"
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