John Berger (1926-2017) was born in London and educated at Oxford, the Central School of Arts and Crafts, and the Chelsea School of Art. After serving in World War II, he became a painter, an art teacher, and eventually an art critic. His first novel, A Painter of Our Time, appeared in 1958, and his first collection of essays on art, Permanent Red: Essays in Seeing, in 1960, but Berger became much more widely known in 1972, the year his novel G. was awarded the Booker Prize and he hosted the four-part Ways of Seeing on BBC TV. In 1974, he moved away from Britain to a small town in the French Alps--a region that would make its way into several of his books, including the trilogy of novels Into their Labours (forthcoming from NYRB Classics). In addition to his many books of fiction and nonfiction, Berger was a prolific visual artist, a filmmaker, and a translator of, among others, Bertolt Brecht and Aimé Césaire. NYRB Classics also publishes Berger's G. and the essay collection And Our Faces, My Heart, Brief As Photos. <p/>Tom Overton is the author of a biography of John Berger, John Berger from Life, and the editor of Portraits: John Berger on Artists, Landscapes: John Berger on Art, and The Underground Sea: John Berger on Miners and the Miners' Strike (with Matthew Harle). An archive curator at the Barbican Centre, London, he catalogued Berger's archive at the British Library. Currently he is at work, in collaboration with Katya Berger, on an edition of Berger's letters, to be published by New York Review Books. His website is overton.tw.