Activist and curator Marco Baravalle shows how artists across the Global South and North are building alter-institutions – autonomous, collective infrastructures that challenge both state and market control. Drawing on operaismo, decolonial theory, and two decades of radical curating, Baravalle outlines an artistic practice grounded in cooperation, solidarity, and resistance.
Inhaltsverzeichnis
Introduction
1 Individual Mythologies VS Aesthetic Co-operators. The Neoliberal Genealogy of The Independent Curator.
2 Lines Of Flight From Participatory Art As Mediation
3 From Theatre in The Space of Struggles to Mass Avant-garde. Participation and Decentralisation in the long Italian ’68
4 Alter-institutions: a ‘training in love'
5 On La Biennale Ruins, The Lumbung
6 Instituent Abolition. The Cases of Reina Sofía and Strike MoMA
7 The ‘Total Work of The Cultural Institution’. Alter-institutionality in Palestine
8 Conclusion
