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Produktbild: Lost in the Funhouse | John Barth
Produktbild: Lost in the Funhouse | John Barth

Lost in the Funhouse

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NATIONAL BOOK AWARD FINALIST • John Barth's lively, highly original collection of short pieces is a major landmark of experimental fiction exploring themes of purpose and the meaning of existence.

"[Barth] ran riot over literary rules and conventions, even as he displayed, with meticulous discipline, mastery of and respect for them." -The New York Times

From its opening story, "Frame-Tale"--printed sideways and designed to be cut out by the reader and twisted into a never-ending Mobius strip--to the much-anthologized "Life-Story," whose details are left to the reader to "fill in the blank," Barth's acclaimed collection challenges our ideas of what fiction can do. Highlights include the Homerian story-wthin-a-story-within-a-story (times seven) of "Menalaiad,' and "Night-Sea Journey," a first-person account of a confused human sperm on its way to fertilize an egg. All of the characters in Lost in the Funhouse are searching, in one way or another, for their purpose and the meaning of their existence. Together, their stories form a kaleidescope of exuberant metafictional inventiveness.

Produktdetails

Erscheinungsdatum
25. Juni 2014
Sprache
englisch
Seitenanzahl
224
Dateigröße
1,91 MB
Autor/Autorin
John Barth
Kopierschutz
mit Adobe-DRM-Kopierschutz
Family Sharing
Ja
Produktart
EBOOK
Dateiformat
EPUB
ISBN
9780804152501

Portrait

John Barth

John Barth was born on May 27, 1930, in Cambridge, Maryland. As a student at Johns Hopkins University he was fascinated by Oriental tale-cycles and medieval collections, a body of literature that would later influence his own writing. He received his BA from Johns Hopkins in 1951 and his MA in 1952. He has held professorships at Pennsylvania State University, the State University of New York at Buffalo, and Boston University, and taught in the English and creative writing programs at Johns Hopkins. Barth's first novel, The Floating Opera (1956), was nominated for the National Book Award. The End of the Road (1958) was also critically praised. In 1960, The Sot-Weed Factor-a comic historical novel-established Barth's reputation. Giles Goat-Boy (1966) was a huge critical and commercial success, after which he revised and republished his first three novels. Lost in the Funhouse, a book of interconnected stories, earned him a second nomination for the National Book Award. His other works are Chimera (1972), a collection of three novellas, which won the National Book Award; Letters (1979), an epistolary novel; Sabbatical: A Romance (1982); and The Friday Book (1984), a collection of essays.

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