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The devastation of war is tearing the Bharata family apart. The new king must unravel a mystery: how can he live with himself in the face of the devastation and massacres that he has caused.

In Battlefield, the internationally renowned team of Peter Brook, Marie-Hélène Estienne and Jean-Claude Carrière revisit the great Indian epic The Mahabharata, thirty years after Brook's legendary production took world theatre by storm.

An immense canvas in miniature, this central section of the ancient text is timeless and contemporary, asking how we can find inner peace in a world riven with conflict.

It was first performed at Théâtre des Bouffes du Nord, Paris, in 2015, before an international tour including a run at the Young Vic Theatre, London, in 2016.

'Peter Brook's return to The Mahabharata is breathtaking - a dazzling piece of theatre' - Guardian

'An hour of magic realism. . . it has a gentle power that lingers' - The Times

'Delivered with remarkable grace and deceptive lightness of touch' - Financial Times

'Luminous and potent' - Independent

'Combines the immediacy of story-telling with the purity of Greek tragedy' - Sunday Express

'Something profound is felt on the pulse here. . . Peter Brook achieves rare magic, and with the slenderest art' - Telegraph

Produktdetails

Erscheinungsdatum
14. September 2017
Sprache
englisch
Seitenanzahl
40
Dateigröße
0,40 MB
Reihe
NHB Modern Plays
Autor/Autorin
Marie-Hélène Estienne, Peter Brook
Verlag/Hersteller
Kopierschutz
mit Wasserzeichen versehen
Family Sharing
Ja
Produktart
EBOOK
Dateiformat
EPUB
ISBN
9781780019659

Portrait

Marie-Hélène Estienne

Peter Brook (1925-2022) was one of the most influential and important figures in twentieth-century theatre. Outstanding in a career full of remarkable achievements were his productions of Titus Andronicus (1955) with Laurence Olivier, King Lear (1962) with Paul Scofield, and The Marat/Sade (1964) and A Midsummer Night's Dream (1970), both for the Royal Shakespeare Company.

After moving to Paris and establishing the International Centre for Theatre Research in 1970 and the International Centre for Theatre Creation when he opened the Bouffes du Nord in 1974, he produced a series of events which pushed at the boundaries of theatre, such as Conference of the Birds (1976), The Ik (1975), The Mahabharata (1985) and The Tragedy of Carmen (1981) to name but a few.

His films include Lord of the Flies (1963), King Lear (1970), The Mahabharata (1989), Tell Me Lies (restored 2013) and Meetings with Remarkable Men (restored 2017).

His hugely influential books, from The Empty Space (1968) to The Quality of Mercy (2013), Tip of the Tongue (2017) and Playing by Ear (2019), have been published in many languages throughout the world.

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Marie-Hélène Estienne, Peter Brook: Battlefield bei hugendubel.de