Ingardeniana III

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I Aesthetics of the Performing Arts: Different Phenomenological Perspectives. - The Theory of Drama and Theatre: A Continuing Investigation of the Aesthetics of Roman Ingarden. - On the Sign Character of the Representing Stratum in a Film as Work of Art. - II Roman Ingarden: Some new Developments in his Scholarship. - The Temporal Composition of the Literary Work of Art and the Reader s Aesthetic Temporality. - The Mystery of Time in Roman Ingarden s Philosophy. - Thomas de Quincey and Roman Ingarden: The Phenomenology of the Literature of Power . - On Translations (Tr. by Jolanta Wawrzycka). - III Around the `Passions of the Soul . - Grand Passions of Humble Folk: Woyzeck and The Jews Beech . - The Enigma of Interpretation in Chagall s Disposition of Space. - Erotic Modes of Discourse: The Union of Mythos and Dialectic in Plato s Phaedrus. - The Man of Genius as Artist Suffering and World Conscience. - The Erotic Phenomenology in Kierkegaard s Mozart. - The Agamemnon: A Drama of the Passions. - Narrative Time as Interpretation of Human Existence: Valence in the Present of The Ambassadors. - IV Philosophical Views Reflected in Literature. - Le langage de la création esthétique dans la phenomenology. - Unity in Vedic Aesthetics: The Self-Interacting Dynamics of the Knower, the Known, and the Process of Knowing. - An Approach to the Structure of the Japanese Elegy, in the Case of Yamanouë No Okura, a Representative Poet of Mannyoshu (The First Collection of Japanese Poetry). - Fantastic Phenomenology. - Philosophic Filaments in Literature in English: Wordsworth to Pound. - Index of Names.